Naropa


Edition
Length

Image Sizes

Paper/Canvas Sizes
100
40"x57"
44"x61"
500
17"x24"24"x30"
Open
6.75"x9.5"8.5"x12"

Artist: Unknown
Release of Edition: 17 June 2006
Medium: Limited Edition Giclee Prints
Material: Matte UV-protected Canvas or
255gsm Somerset Velvet Rag Paper, Ultrachrome Ink
Markings: Embossed with the MiMa Publishers stamp and numbered
Certificate of Authenticity: Available on request




detail of max size at 1:1

17"x24" Enlargement:

(At 72dpi this enlargement is only one tenth of the resolution of the print on paper. Added to that, it's a compressed jpeg, so the resulting image on the screen only hints at the clarity and detail of the print.)


Naropa

Naropa, Indian Adept, is #20 in the set of eighty-four mahasiddhas as compiled by Abhayadatta. Naropa is famous in the lineages of Chakrasamvara, Yogini and Kalachakra. Considered one of the most influential Indian siddhas to shape Tantric Buddhism in the Himalayas and Tibet he is especially revered in the Sakya and Kagyu traditions. Naropa, Mahasiddha: one of the principal Tantric Buddhist siddha of India. He is counted in both the Vajrasana and Abhayadatta Shri systems of enumerating the eighty-four mahasiddha. These great accomplished ones are regarded as being the original human source for most if not all of the Tantric literature and practice traditions of Tantric Buddhism.

Naropa, pale in complexion, is seated in a relaxed posture facing to his right. Leaning slightly back, the right hand holds a skullcup with the partially outstretched arm, the elbow resting on the thigh. Adorned with jewelry and a crown of skulls Naropa characterizes the typical appearance of a Tantric Mahasiddha. In the upper left corner is the Vajrayogini, ascetics kneel in front.

Naropa figures prominently in many lineages of tantric practice - especially honored in the early Marpa Kagyu lineage of teachers. The Tibetan Marpa Chokyi Lodro (1012-1099), founder of the Marpa Kagyu Tradition, having journeyed three times to India, studied extensively with Naropa. In the Sakya School Naropa is honoured as the originator of an important cycle of Vajrayogini practice counted as one of the very special teachings of Sakya. Lineages that include the name Naropa weave through all of the Sarma Schools of Tibetan Buddhism.

Notes by Bhikshu Karma Tinley, who gratefully acknowledges the Himalayan Art Library.



THANGKAS FOR CHARITABLE DONATIONS

These Thankas are not for sale, but will be given to individuals and organisations who support by donation The Dharma Fellowship Hermitage Meditation Retreat on Denman Island, Canada, or the sponsorship programs for Tibetan refugee children and monks administered by the Dharma Fellowship.

To find out more about the Hermitage and to make a donation please visit www.dharmafellowship.org

To find out more about their work and get involved with sponsorship please visit www.dharmafellowship.org/charitablework The donor may choose a Thangka from the catalogue presented here. They are being given in three sizes:
1) For a donation of $2500 or more: At an image size of 40" wide x up to 59" high, on canvas, coated with a UV and abrasion resistant liquid laminate, editions of 100. These can be hung like scrolls or stretched over wooden frames (known as "stretchers").
2) For a donation of $500 or more: On 24" x 30" watercolor/rag paper, editions of 500.
3) For a donation of $150 or more: On 8.5" x 12" heavyweight watercolor/rag paper, open editions.

All editions have an archival rating of 61 - 108 years (depending on the paper/canvas used).

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