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17.25"x24" Enlargement:
(At 72dpi this enlargement is only one tenth of the resolution of the print on paper. Added to that, it's a compressed jpeg, so the resulting image on the screen only hints at the clarity and detail of the print.)
The method of painting is called 'nag thang,' (black scroll) gold outline on a black background.With one face and four hands, he is extremely wrathful in appearance. The first pair of hands hold a coconut fruit and a skullcup filled with blood. The second right hand holds upraised a sword blazing with wisdom fire and in the left a katvanga staff topped with a trident. Gold-Black hair flows upward as he stares with glaring red eyes and a wide gaping mouth. Adorned with the bone, gold and jewel ornaments of a wrathful deity he wears a necklace of fifty freshly severed heads. Seated in the relaxed 'vira' (hero) posture on a sun disc The buddha Vajradhara sits at the crown of the head. The left held to the side holds a katvanga staff with a trident tip. Adorned with a crown of five white skulls, earrings, necklaces, bracelets and the like, the lower body is wrapped in a tiger skin skirt with the right leg pendant and the left drawn up. He sits completely surrounded by a ring of black & gold flames - the fires of pristine awareness."From a red-black mandala of fire, above a lotus, sun, moon and corpse, with one face and four hands, seated in a relaxed posture: homage to the Great Black One." (Nyingma liturgical verse).As a wrathful form of enlightenment, a wisdom deity and buddha, he appears as a protector for Vajrayana Buddhism. There are many forms of this particular Mahakala in both Nyingma and Sarma traditions. The pandita and mahasiddha Nagarjuna originally popularized the practice. In the Sarma Schools Chaturbhuja is strongly related to the Chakrasamvara cycle of Tantras and Mahamudra.
Notes by Bhikshu Karma Tinley, who gratefully acknowledges the Himalayan Art Library.
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